Men by Maya Angelou is a poem about a young girl coming of
age and her first sexual experience. it is a poem that is divided in to three
stanzas. It is also run to just49 lines. We are about to break the poem down
stanzas by stanzas. In the first stanza
the female speaker took us back to her youth years or childhood. She recalls
looking out her window at men that always pass by on the road outside her
house. She was amazed at first, the different way these men appear. Older men,
young men, wino men. Then she realizes that men are always going somewhere. At this
point the point took a shift, where everything change and we are informed that now the men have
realize that they are being watched, and her look is surprisingly lustful, and
she is now fifteen years old and she want them. We get to know that sex is
something she has never had before. Now at
this point everything get real as she compare the men’s shoulders high and they
look upon her to the breasts of a young girl, implying some mutual arousal
between the girl watching and the men’s being watched. This is where the
speaker get real with us the audience, by taking us through her sexual
experience, which is very difficult to do, only few fifteen year old girls will
do that. This poem unlike any other poem of this nature there is nothing sentimental,
beautiful, or magical about this experience. Started by treating her gently as
if she was was “the last raw egg in the world.” But as the sexual act
progresses the fantasy disappear. As the male triggers in the speaker a moment
of realization, followed by anger, then sadness. She had invested so much hope
in men only to find out their need were so far removed from her own. The
cravings of the “starving” fifteen year old will never be met, nor even
understood, by anyone with such a basic, uncomplicated sexual compass. This
realization deadens the woman inside, her libido not gone (for that in itself
would now be a welcome release) but permanently, maddeningly locked away, the
fifteen year old taunting and teasing the woman with the memories of the
idolized desires of her youth. But “No keys exist.” While this would seem to
indicate the end of the story (and indeed, many poems in a similar vein do
conclude on this melancholy note) Angelou surprises us with an epilogue that
turns the “innocence shattered” motif just a little bit askew.
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